Showing posts with label UPA. Show all posts
Showing posts with label UPA. Show all posts

Sunday, June 7, 2015

Swtichin' Kitten (1961) and Tom & Jerry's kooky Gene Deitch era

Tom & Jerry steers back into spooky territory (I previously posted on their encounter with a witch) in Switchin' Kitten (1961).

A stormy night finds Tom seeking shelter in this creepy old castle beautifully rendered in a multi-plane shot.

In a blink-if-you-miss it gag, Tom is actually tossed from a passing carriage into a swamp in a rope-drawn sack. The drowning of unwanted pets in this manner was apparently a common enough occurrence to be referenced in children's entertainment (there is at least one other instance of the "drowned kittens" trope found in the Tom & Jerry canon, 1949's Heavenly Puss).


Jerry, meanwhile, is living in the castle as assistant to a mad scientist performing experiments on animals. Here's his colorful array of beakers.

And the mad scientist's dungeon of cats for use as subjects.


If the characterizations of Tom and Jerry seem just a little... "off" in this episode, its because this was the first time they were depicted by Czech-based animation team Rembrandt Films.


When William Hanna and Jospeh Barbera left MGM in 1957 to launch their own studio focusing on animation for television, a deal was hatched with TerryToons animator Gene Deitch to churn out shorts in half the time and a fraction of the budget. Deitch's Czechoslovakian animators (Deitch, himself an American, had moved to Prague in 1959) had little exposure to American animation in general, and had never seen an actual Tom & Jerry short in motion, relying only on model sheets and stills for reference. The result was a bizarro-universe interpretation of Tom & Jerry that sometimes reminds me of the homemade, off-model cartoon characters you might find painted on the wall of a children's day care or on the side of a south-of-the-border supermercado.

Dietch attempted to compensate for the limited animation necessitated by the low budget with unusual sound design (instead of the standard cartoon-noise palette, these shorts are punctuated with what sounds like balloons popping underwater), eye-catching background paintings (like this rocky path illuminated by a lightning flash)...

...colorful, sometimes abstract effects...

...and inventive if not downright weird gags, like Tom, after having been buried alive, returning to the surface as a flower!

The Gene Deitch era lasted only two years (1961-1962) before the property returned stateside under the stewardship of veteran animator Chuck Jones, so these shorts represent little more than a detour in Tom & Jerry history. While reviled by many fans who felt these were merely a cheap knock-off of the real thing, I was always attracted to these cartoons because of their modern style and general strangeness, and would give them my full attention whenever they turned up on the local TV kiddie-show cartoon jukebox.

Switchin' Kitten wasn't the only fright-themed episode of the Deitch era. In Buddies Thicker Than Water, the duo are feuding in a modern apartment high-rise when Jerry powders up from head to toe, tosses on a Halloween sound effect record (Somber Records)...


..and proceeds to stalk Tom as a ghost.


This episode is also notable for a scene in which the pair get literally fall-down drunk after raiding the liquor cabinet!


The drunk jokes continue in Tall In the Trap, a western-themed episode set in the dusty town of Dry Gulp, where main street is a whiskey row of alcohol-centered gags. There's "Rigor Mortis Saloon. Come in and get stiff"...


..."Six Gun Saloon. Come in and get loaded"...

..."Band Aid Saloon. Come in and get plastered"...

...and finally, "Rocky's Saloon. Come in and get stoned".

Here's a sample of the colorful and artful design that crept its way into these shorts, a still from a dynamite explosion that looks like a tie-dyed flower.

With the endless back-and-forth cycle of violence between the two, have you ever wondered why Tom didn't just shoot Jerry in the head and put an end to it once and for all? Well he tried in one Deitch episode, Mouse Into Space.

Spoiler alert, Jerry survives, leaving Tom so guilt-ridden he offers Jerry a free retaliatory shot!

This episode finds Jerry applying to be an astronaut on a colorful rocket...

...but not before he passes his physical. No, this isn't a Hasbro Ghost Gun target, it's Jerry's X-ray.

The Tom and Jerry Cartoon Kit episode is a behind-the-scenes look at the cartoon making process, which turns out is little more than rearranging stock elements from a kit (and this kit not only includes Tom and Jerry, but a pack of cigarettes and cup of coffee for the animators!)


In this same episode, the pair enter a Judo school, which proceeds to shake, squash and stretch in reaction to the physical exertions within. In these stills you can see the morphing building becomes a work of modern abstract art.


One of Deitch's contributions to the Tom & Jerry universe was the addition of a new character, Tom's "owner", who for all intents is actually an abusive, angry father figure. I must confess this character's animal-like growlings and explosive expressions always unnerved me a bit.

Here he is sweating hate and administering beatings in Down and Outing.

And from High Steaks, the Angry Dad character is basically force-feeding his "child".

"Angry Dad" was cast as Capt. Ahab in an episode spoofing Moby Dick, Dicky Moe. Here's a funny gag where Tom, blackened from head to toe after falling in gunpowder, hides from the captain by pretending to be his shadow.

Ever been called "whale butt" and wondered exactly what part of the whale that is?

A beautiful multi-plane shot from the same episode.


Another bizarre Deitch gag... Tom transformed into a turtle after a steel drum is dropped on him in Calypso Cat.

Some attractive backgrounds from Carmen Get It...

...and from a jungle-themed episode, Sorry Safari.

Tom & Jerry visit a beautifully rendered cartoon-modern ancient Greece in It's Greek to Meow.

The entire Gene Deitch era is available on a newly released DVD Tom & Jerry The Gene Deitch Collection.

Saturday, June 30, 2012

Red, White and Blue Toon Revue

With the Fourth of July approaching, I thought I'd share some of the patriotic animated works I like to dust off and rewatch to celebrate Independence Day. Some try to teach us about the American Revolution and the founding fathers, others are just silly fun.


SCHOOLHOUSE ROCK - "AMERICA ROCK" (1975-76)

First off are the so-called "America Rock" family of shorts from the Schoolhouse Rock series. I remember watching Schoolhouse Rock when it used to air on television Sunday mornings in the late 70s and early 80s. I loved them then, but appreciate them even more today. There has always been children's programming that tried to educate and entertain at the same time, but Schoolhouse Rock actually pulled it off!

"Fireworks" (1976), which tells us about the "pursuit of happiness" clause of the Declaration of Independence, seems like an obvious choice for Independence Day viewing, since it specifically mentions the Fourth of July...


...but there's also "No More Kings" (1975), focusing on the Boston Tea Party that turned the harbor into the "biggest cup of tea in history"...


..."The Preamble" (1976), which sets the opening paragraph of the Constitution to music...


...and my favorite, "The Shot Heard 'Round the World" (1976), chronicling in song the Revolutionary War, from the first warning cries of Paul Revere ("The British are coming!") to the final surrender by Gen. Cornwallis at Yorktown.



MERRIE MELODY - OLD GLORY (1939)

Next up is the 1939 Warner Bros. Merrie Melody, "Old Glory".


Porky Pig is visited by the spirit of Uncle Sam himself, who gives Porky a primer in early American history, including the ride of Paul Revere and the signing of the Declaration of Independence.


All the historical segments are animated in a very realistic style.



By the end, Porky is stirred to a heartfelt recitation of the Pledge of Allegiance (the original version, omitting the phrase "under God" which wasn't added until 1954).


UNCLE SAM MAGOO (1970)

The 1970 TV-special Uncle Sam Magoo (UPA) has our favorite sight-and-hair-challenged geezer, Mr. Magoo, getting his own visit from the spirit of Uncle Sam...


...who proceeds to lead us through an overview of American history, including yet another depiction of the ride of Paul Revere.



Magoo marches through the streets with Patriot soldiers...


...and we get a glimpse of the Boston Tea Party...


...before skipping to Betsy Ross seeking Magoo's approval of her just-sewn American flag prototype (spoiler alert: he liked it!)


Then we jump forward to Chesapeake Bay, 1812, for a visit to Francis Scott Key (where Magoo contributes a line or two to the lyrics of The Star Spangled Banner.)




BEN AND ME (1953, Disney)


Based on the 1939 children's book by Robert Lawson, Walt Disney's "Ben and Me" reveals how many of the accomplishments attributed to Ben Franklin, including invention of the bi-focals and the central heating stove, should actually be credited to his secret mouse friend, Amos.


Amos even writes the opening paragraph of the Declaration of Independence when Thomas Jefferson gets writers block.


We'll see brief vignettes of the civil unrest that leads to the Boston Tea Party and the war.



YANKEE DOODLE CRICKET (1975)

The 1975 made-for-TV Chuck Jones animated "Yankee Doodle Cricket" follows a similar theme as Ben and Me. In this case, its not just a mouse, but also cat and cricket who have secretly participated in significant moments of America's founding.


The mouse Tucker not only helps author the Declaration of Independence, but also comes up with the design for the Gadsden Flag, inspired by a slithering associate.


We'll see yet another depiction of the ride of Paul Revere (the cat, Harry, helps launch Paul's horse with a sharp-clawed swipe to its rear).


This bird's eye view of Paul Revere's ride looks suspiciously familiar...


Here it is alongside the same scene from the earlier Uncle Sam Magoo. IMDB shows both toons shared at least a few of the same artists, which might explain the similarity(?)

UPDATE: Mystery solved! Thanks to reader Philip Davis for pointing out the layout is based on a historic painting by Grant Wood titled "The Midnight Ride of Paul Revere" (although I still wish there was some animators' conspiracy afoot!)


The cricket Chester is credited with writing the song Yankee Doodle Dandy, which rouses and inspires the Patriot soldiers.




POPEYE'S TEA PARTY and POPEYE REVERE (1960)

My introduction to the character Popeye was the early-60s color shorts produced by King Features (I used to catch them on Phoenix's local kiddie cartoon rerun show, Wallace and Ladmo). This era of Popeye is kind of dismissed by Popeye purists (in much the same way that the Rembrandt Films/Gene Deitch era Tom and Jerry's are), but guess what? I loved 'em! Popeye visited the Revolutionary period at least twice...

In Popeye's Tea Party, Popeye travels back in time to Boston, where Tory Brutus is declaring one unbearable tax after another...



Popeye, Olive Oil, Swee'pea and Whimpy dress as Indians to carry out the Boston Tea Party.


In another episode, we learn that Popeye's grandad, Granpappy Poop Deck, not Paul Revere, was responsible for warning that the British are coming on that famous midnight ride.


A staple of every episode of Popeye was the sailor finding his strength at the last moment by eating some spinach, but in this episode, Granpappy consumes some "spinach snuff" instead!




THIS IS AMERICA, CHARLIE BROWN (Birth of the Constitution) (1988)

In 1988 and 1989, the Peanuts gang appeared in an 8-part miniseries called "This is America, Charlie Brown", which found Charlie Brown, Snoopy and the rest of the gang participating in and exploring various significant moments in United States history (the first pilgrims arriving on the Mayflower in The Mayflower Voyagers, the Wright Brothers first flight in Wright Brothers at Kitty Hawk.)


The series skips over the American Revolution itself, instead choosing to focus on the adoption of the U.S. Constitution at the First Continental Congress, 1787 (Birth of the Constitution).


No rationalization is provided to explain how the Peanuts gang are able to jaunt through time and space to arrive at these significant moments in history. In fact, the characters are depicted as belonging to the specific time period for each episode, as if history was littered with multiple batches of Peanuts clones, each unaware of the other's existence. Anyway, just go with it.


Since the Continental Congress was basically an ongoing series of oral arguments occurring in one room, this episode tends to be more "edu-" than "-taining", as we got LOTS and LOTS of scenes of... people talking...


...and talking...


...and talking some more.


Charlie Brown and company are reduced to being supporting characters, mopping the floors of Independence Hall and tending to the delegates horses. But there are some fun moments here and there, such as Snoopy trying on Revolution-era wigs...


...and Charlie Brown inventing the game that would come to define him, baseball.



HERE COMES PETER COTTONTAIL (1971)

I would be remiss not to mention Peter Cottontail's detour to "Fourth of July land" in the Rankin Bass Easter special, Here Comes Peter Cottontail (1971) (I previously posted on his stoppover at a Halloween-themed land.)


Peter dresses up like Uncle Sam and decorates his eggs with red, white and blue designs.


There's even a fireworks show!