Showing posts with label movie. Show all posts
Showing posts with label movie. Show all posts

Tuesday, July 4, 2017

Fourth of July, 1972

Read about Fourth of July, 1963 here.
Read about Fourth of July, 1976 here.
Read about Fourth of July in classic animated specials and cartoons here.

It's July 4th, 1972, and Jason Crockett (Ray Milland, X: The Man With the X-Ray Eyes, Escape To Witch Mountain) is throwing his annual family celebration on his private island estate in the swamplands of Eden Gardens, Florida. But it's not just America's birthday, as Jason and several of his family members have birthdays in July as well. So this is a combined celebration!


There will be fireworks, games, water sports and cake.

But something is different this year. There are frogs everywhere. You can't take a step on Crockett's carefully manicured lawn without scattering a few. Of course, being located in a Florida swamp, that's not terribly unexpected. But there seems to be more than usual this year, and they are... hopping mad!

The movie is Frogs (1972, AIP). Despite sensational promises made on the one-sheet and trailer, these are not giant-sized frogs that can swallow an entire human being. They are just normal-sized, the biggest ones not much larger than a man's fist.


They aren't mutant frogs, either. There's a clear conservation theme running through the film (the tag line from the trailer is "Suppose nature gave a war...") right from the opening titles, in which Pickett Smith (Sam Elliott, The Legacy), a photographer for an ecology magazine, is documenting the effects of pollution on the lake. Later we'll hear about environmental issues with Mr. Crockett's paper mill, and see him contaminating his own estate with the overzealous use of pesticides. But there's never any indication these chemicals have triggered scary genetic changes in the frogs.


The frogs don't bite. In the real world, some species of frog are known to bite humans when handled aggressively. But these frogs are picked up repeatedly, sometimes by children, and never curl a lip.

There are several deaths, but none caused by the frogs. One partygoer is mangled by an alligator while wading through swampland. Another surrenders to a dozen web-spraying tarantulas after injuring his leg. In one horrifying death scene (an outtake found only in the trailer and not the film itself) an elderly women sinks in quicksand.


Snapping turtles, snakes, centipedes, leeches, crabs, birds, and reptiles of every stripe and scale join the assault at some point. The only animal that doesn't directly cause a single death are... the frogs!


So what do these frogs do, exactly?

They teem.

That's right. Teem. Swarm. Swell. Amass.


They are not a physical threat, really. Their presence is, instead, a harbinger... a warning that if you are arrogant enough to build a palatial house in the middle of the wild, the wild is not going to respect your "no trespassing" sign. That the border of your estate is not going to be recognized, no matter how many adorable cherub statues are delineating it.


The frogs massing at your doorstep are a reminder that no matter how geographically isolated you are from the rest of the world, you can't pretend you are living on a 19th-century plantation, complete with black servants (Lance Taylor Sr., Blacula; and Mae Mercer, The Beguiled) in uniforms that wouldn't look out of place a hundred years ago.


This is 1972, and if the march of time doesn't make your once stately living room unlivable... the march of amphibians will.

Happy Fourth of July!

Tuesday, January 10, 2017

Hypno-Horror!

What started out as a little retro-review of obscure 80s horror film "Anguish" turned into a longish piece on the history of subliminal messaging as horror film gimmick. Read all about it at We Are The Mutants...

I assure you there are no hypnotic suggestions hidden in the article, so if you should find your eyelids getting heavy while reading, there's probably some other explanation.

Wednesday, March 9, 2016

That's So Fake!

I've always found made-up videogames, invented solely to inhabit non-existent arcades in fictional stories told on the big screen, to be an intriguing bit of set dressing. Wouldn't it be wild if some computer programmer actually MADE a playable version of one of those fake games? Having personally played a round of Space Paranoids at Disney California Adventure, I can confirm that its happened at least once.

Below are nineteen screen caps from various fictional videogames created specifically for movies or television (plus I threw one wild weenie in there that kind of breaks the rules just to keep you on your toes). Can you name not only the movie/show the game appears in, but the name of the fictional game itself?

Answers will be posted in the comments.

Surprisingly (*cough* notsomuch *cough*) I'm not the first person to write on this topic (the internet is crawling with fictional videogame lists), but I was able to sneak in a few overlooked titles.

A great video from WatchMojo (which I used to source a few elusive screen caps) is embedded at the very bottom (...but watch it AFTER trying to name the screens, big cheater!)

Screen 1

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Screen 12

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SPOILER VIDEO!

Friday, March 6, 2015

Spielberg's Duel (1971) and The Incredible Hulk (1978)

I first caught Steven Spielberg's made-for-TV film debut Duel on television in early grade school. At that time I had only recently become aware of this thing called a "film director", and could name exactly three: Alfred Hitchcock, George Lucas, and Steven Spielberg. So I was curious to see this earliest work from the guy who gave me nightmares with Jaws and left me watching the skies after Close Encounter of the Third Kind.


Based on the short story by Richard Matheson, Duel is a tense thriller built around a simple premise: a milquetoast salesman (Dennis Weaver as David Mann, in a mostly one-man-show) on a cross-country road trip, finds himself the seemingly random target of a psychopathic truck driver.

Their first encounters are of the nuisance variety.... the slow, over-sized vehicle hogs the road, only to tailgait once passed, etc., but slowly escalate into deliberate harassment, reckless endangerment, and finally a full on murderous chase with Weaver driving for his life.

You can detect elements in Duel that would appear in Spielberg's later work... the  monstrous, expressionless truck is reminiscent of the relentless, pursuing great white from Jaws

We're gonna need a bigger car.

Comical, colorful elderly supporting characters flavor some scenes, as they later would in Sugarland Express and Close Encounters.


A run-in with a road-side exhibit of snakes and spiders seems like a first draft of the creepy crawly encounters of Indiana Jones.
Simple but effective camera work distinguishes Duel from lesser made-for-TV fare of the period. The opening titles, artfully arranged around the geometry of the tunnels as the camera passes through.


Interesting shots like this, with Weaver framed in a laundromat dryer window...


...or this perspective shot which places Weaver's tiny car in the consuming cloud of the truck's smokestack. 


But what really made Duel stand out was the out-of-nowhere, big twist ending that nobody saw coming. Weaver's car has overheated at the top of a hill and is cornered against a high cliff ledge when suddenly his eye's start to glaze over...

...his shirt rips open...


...and he transforms into a mean, green smashing machine. What the---? David Mann is actually The Incredible Hulk??


Hulk smash telephone pole!


Hulk hit truck with pole!


Hulk push car into truck!
Truck driver jump to safety!


Truck and car spill over cliff!

Hulk celebrate!


What's that you say? This isn't the ending you remember? 

Okay... so, this happened: Universal, the studio that produced both Duel and the 1970s television series The Incredible Hulk, got the bright idea of building a first-season episode entirely around repurposed footage from Spielberg's mini-masterpiece.

The plot finds David Banner (Bill Bixby) picked up hitchhiking by a lady truck driver (Jennifer Darling... a former fembot from The Bionic Woman) who steals back her father's scary, flammable and strangely familiar truck from a group of smugglers.

The whole episode is a series of back-and-forth carjackings and chases in which everyone gets their turn to drive both Weaver's red 1971 Plymouth Valiant and the 1955 Peterbilt truck.
There's also new footage using the original truck, and it's cool seeing the iconic monster continue its path of destruction in an entirely new context and setting...

...not so cool? Discovering its being driven by the darling Ms. Darling.

Spielberg wisely resisted studio pressure to shoot Duel's car interiors on a stage with rear-projected backgrounds and instead filmed on location in a moving car, but we can get a sense of how things may have turned out in this Hulk episode, which went with the rear-projection technique.

Bixby and the lead smuggler (Frank Christi) each wear blue collar shirts to help match the original Weaver footage...

I can't tell where Duel ends and The Incredible Hulk begins!

...and, as The Incredible Hulk plot demands that occasionally the red car carry two occupants, the script helpfully provides excuses for the passenger to duck his head down to explain away why there is only a lone-driver visible in the inserted Duel footage.

"Duck your head all the way down under the seat and look for that gun, dammit!"

This isn't the only time a Universal television character found themselves crossing paths with a Spielberg villain. Did somebody say... Nancy Drew vs. Jaws

Duel is available on DVD and Blu-Ray.
The Incredible Hulk episode "Never Give a Trucker an Even Break" is available on DVD and is streaming on Netflix as of this writing.
The Hardy Boys Nancy Drew Mysteries episode "The Mystery of the Hollywood Phantom", featuring Jaws, is available on DVD.
Die-cast toys of Weaver's red '71 Plymouth Valiant and the 1955 Peterbilt 281 Tanker are available... NOWHERE. Come on, Hot Wheels, make this happen!