The truth is, by first-grade standards I was considered, in the parlance of the schoolyard, a "pretty good draw-er" and could scribble a decent illustration without relying on Emberley's sequential instructions. Rather, it was Emberley's appealing style and whimsical imagination that caused me to hoard his books like buried treasure.
Where else was I going to see a turtle roller-skating in the rain?
"..Animals" focuses exclusively on the animal kingdom, but also includes a useful facial-expressions sampler, as well as an example of how his simplistic, shape-based creations could be easily embellished into something a little fancier.
Step aside, Block In Bird, here comes Embellish!
Later entries in Emberley's instructional series included "Make A World" (1972) and a string of color-themed books ("Purple", "Green", "Orange", "Red") which, collectively, established an alternate Emberl-iverse of characters, vehicles and fantastic creatures. (I previously posted on his monster-themed "Book of Weirdos".) Many of these books are still in print.
Emberley also produced absolutely charming woodcut illustrations for the 1965 book "Yankee Doodle" (Dr. Richard Schackburg).
But perhaps his most striking work is found in the 1973 book "Suppose You Met a Witch". Illustrating a fairy-tale story by English poet Ian Serraillier (originally published in 1952), Emberley's work here (sixteen two-page spreads, plus front and back covers) is almost psychedelic.
Presented below in its entirety.
The above beautiful illustration of two swans on the water is done in very light, low contrast colors that is hard to appreciate from a scan. Below is the same spread with the contrast cranked up to eleven to reveal the line work.
"Suppose You Met A Witch" is out of print as of this writing.