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Apparently originally intended to be a pilot episode for a new series before being welcomed to the Outer Limits canon as the final episode of the first season, "The Forms of Things Unknown" is a uniquely beautiful and haunting episode.
After poisoning playboy and would-be blackmailer Andre (Scott Marlowe) with a spiked martini, Leonora (Barbara Rush) and Kasha (Vera Miles) are transporting his body through the storm-whipped French countryside when Leonora becomes convinced that he's still alive. After popping the trunk and finding Andre’s lifeless body, Leonora flees hysterically into the wet forest, convinced she saw him blink.
Kasha pursues her through the rain until coming upon a secluded house occupied by a blind servant, Colus, (Sir Cedric Hardwicke) and a wild-eyed young man, Tone Hobart (David McCallum), who claims to have invented a time machine. Not a traditional time machine that neatly transports passengers into the past or future, but one that operates under impenetrable rules, causing “things” from the past to tumble temporarily into the present. The most recent “thing” to tumble through is Andre, alive.
“Forms...”, directed by TV veteran Gerd Oswald, is notable for its dramatic use of light and shadow, obscure angles, sweeping camera movements and wild hand-held shots, all of which combine to give the episode a surreal quality that distinguishes it amid the already impressive standards set by the series as a whole.
Watching this episode, its hard to believe this was merely a television episode. Check out these gorgeous screen caps.
The ladies are delivering their poisoned cocktail to Andre, who has ordered them to bring it to him where he stands, waist deep in a lake.
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This episode is available on DVD on the The Outer Limits (Original Series) Season 1, Vol. 2.
5 comments:
This is one of the all-time best episodes of any TV series, anywhere.
It has a very European flavor to it, by which I mean it feels like a combination of one of Fellini's more surreal films crossed with gloomy Ingmar Bergman efforts like "The Seventh Seal", all against a backdrop with uses science fiction as its basis while looking more like a haunted house movie.
If that sounds daunting to potential viewers, it shouldn't. But neither should they expect a typical simple-minded TV episode. The dialogue and acting are highly theatrical. Combined with the beautiful camerawork and direction you mentioned and Dominic Frontiere's wonderful music, which alternates between placid and panicked, it's an hour of TV which I find myself watching over and over and over again, just appreciating the sheer beauty, meticulous care and creativity that went into it.
I don't know if they could have maintained this kind of quality if this had been picked up as a series, but I'm glad at least to have this one intriguing hour which stands as the pinnacle of the original "Outer Limits" series.
My favorite episode, excellent in many ways, Conrad Hall was the director of cinematography, and it shows 🎥
Truly a sinister episode, bordering on horror rather than science fiction. Did Mary Shelley Frankenstein serve as inspiration? What would a remake be like?
Does anyone recall this (actually, the pilot version I believe), being repackaged and released theatrically in Europe (not long after the episode originally aired)?
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