Thursday, February 23, 2017

Go to the Head of The Class (Amazing Stories, 1986)


There are two words that distinguished NBC's Amazing Stories from the other sci-fi/fantasy anthology TV series that arrived in the mid-1980s (titles like The (New) Twilight Zone, Alfred Hitchcock Presents and The Ray Bradbury Theater), and those two words are:

Steven Spielberg

Of course, Spielberg got his humble start in television, directing memorable episodes of Rod Serling's Night Gallery (1969) and one of the best made-for-TV movies of all time, Duel. But this was 1985, not 1971, and Spielberg now had Jaws, Close Encounters of the Third Kind, Raiders of the Lost Ark, E.T. The Extra-Terrestrial, Twilight Zone: The Movie and Indiana Jones and the Temple of Doom on his director's resume, not to mention a producer credit on Poltergeist, The Goonies, Gremlins, and Back To the Future.

So the prospect of this Hollywood-conquering hero returning triumphant to the unworthy boob-tube was kinda sorta unbelievable.

And he wasn't doing it alone. A who's who of talent, both on-screen (Kevin Costner, John Lithgow, Patrick Swayze, Charlie Sheen, Harvey Keitel, Mark Hamill, Keifer Sutherland, Christina Applegate, Drew Barrymore, and Forest Whitaker, for starters), and behind the camera (Robert Zemeckis, Joe Dante, Clint Eastwood, Irvin Kershner, Martin Scorsese, Brad Bird, and Tobe Hooper) would be pitching in to make sure Amazing Stories was the greatest thing to grace your television screen. Ever.

Unrealistic expectations aside, Amazing Stories, it turned out, was not exactly what I was looking for in an anthology show. While technically impressive (every episode looked like a big-budget feature film), the stories were often of the treacly variety, eschewing irony for sentimentality, and straining to emulate those moments of wonder that Spielberg's films seemed to deliver effortlessly. (A July '86 TV Guide blurb suggested the show was poorly titled, since the stories were so often "banal and juvenile.")


The worst Amazing Stories episodes frequently reminded me of my least favorite segment from Twilight Zone: The Movie, which happened to be Spielberg's "Kick the Can", a saccharine fairy tale about a group of geriatrics magically transformed into children for one last romp on the playground before settling back into their comfortable aged bodies. George Miller's terrifying "Nightmare at 20,000 Feet" remake and Joe Dante's fever-dream funhouse take on "It's A Good Life" were much more my cup of Kool-Aid.

We were promised at least one haunted house and green ghost. (A still from the opening title sequence.)


I stuck it out with Amazing Stories anyway (it was 1985, after all... what else was I going to watch, Scarecrow and Mrs. King?) but definitely favored The New Twilight Zone and Alfred Hitchcock Presents.


My persistence paid off halfway through the second season, when Amazing Stories delivered a genuinely frightening and unsentimental episode, Go To the Head of The Class (S2E8), that could have leapt right out of the pages of an E.C. fright comic. This special hour-long installment (episodes were normally half-hour) was directed by Robert Zemeckis, hot off the success of the original Back to the Future, and who would go on to produce a revamped Tales From the Crypt series for HBO a few years later, so it's not totally surprising that Go To the Head of The Class plays like a mash-up of those two properties.


High schooler Peter Brand (Scott Coffey) has a thing for monsters (his bedroom is decorated with horror posters and toys) and for classmate Cynthia Simpson (Mary Stuart Masterson. The pair would appear on screen together again in 1987's Some Kind of Wonderful.)

But he also has a problem getting to class on time. In an opening scene reminiscent of BTTF, Peter realizes he's late for school while talking on the phone, and has to sneak into first period.

Professor B.O. Beanes (BTTF alum Christopher Lloyd) is delivering a lecture about Shakespeare, specifically MacBeth (more specifically, about how Lady MacBeth "... used sex, the promise of it, the implied threatened denial of it, to control and dominate her husband...") as Peter slips undetected into his desk across from Cynthia, who goes by the nick-name "Cyn" (get it?) and will soon be tempting Brand with the promise of forbidden fruit.


While Peter sneaks glances at the object of his desire, Beanes continues, "Men, perhaps even some in this very room, continue to say things, do things and participate in behavior they wouldn't normally dream of for the promise of sexual favor."

When Beanes reveals that Peter and Cynthia both submitted identical papers, it's Peter who takes the blame even though it's obvious Cynthia plagiarized his work without his knowledge. We are then introduced to the cruel and unusual punishment Beanes favors in the confines of his classroom, forcing Peter to stand in a stress position with a stack of heavy books in each hand, a torture he calls "Meet The Misters" (Mr. Funk, Mr. Wagnall, etc.)


After school, Cynthia cooks up a plan with Peter to get revenge using a black magic spell that can be heard by playing the album The Last Supper by heavy metal group Blood Sausage backward (a modern alternative to the old witch's spell book, which seemed relevant, if not entirely plausible, in the era of Satanic Panic, when backwards masking and subliminal messages were believed to be hidden in rock records. The gimmick was also used in 1987's The Gate.)

The spell is said to give the victim an extreme case of hiccups that lasts several days, and has to be cast exactly at midnight. The prospect of a late night rendezvous with Cyn is too good to pass up, even if it will be in a spooky old graveyard.

Add dirt from a grave that is freshly dug,
And the fingertip of a dead relation by blood.
This mixture ignite at the stroke of midnight,
By the united hand of woman and man.

The idea of kids trying to wield supernatural power using whatever pop-culture resources were available to them really spoke to me (I previously posted about my childhood dabbling with the dark arts trying to perform a spell depicted in the adaptation of John Bellairs' The House With A Clock In Its Walls from the TV special Once Upon a Midnight Scary). But although I fancied myself capable of casting black magic spells on my enemies and perhaps raising the dead, I never quite had the courage to sneak out my bedroom window at night.

The action moves to a wonderfully atmospheric cemetery (gnarled trees and ankle-deep mist), and after some spooky business with the pair hiding in an open grave to avoid a drunken caretaker, they break into the Beanes family crypt to prepare the potion ingredients, which include a severed bat's wing (supplied by Cyn, no questions asked), dead katydids, a graven image (a picture of Beanes from the school yearbook), rose water, the dirt from a freshly dug grave, and finally, a finger tip from a blood relative, which they procure from a reposing corpse (Ebenezer Beanes, 1854-1936) using a pair of garden shears.


In another similarity to BTTF, this scene turns into a nail-biting race against time, punctuated by the loud clanging of a clock bell, to assemble all the elements of the spell at the precisely prescribed moment (BTTF's "weather experiment" to power a time machine with a lightning bolt was, after all, little more than magic dressed up in a scientist's lab coat.).

The spell cast, the kids check up on Mr. Beanes at his spooky mansion home, only to find him laying dead on the floor!

Luckily, the Blood Sausage album contains an anecdote spell on a track titled "The Dead Shall Rise" which promises to set things right. But in their hurry to perform the ritual, which, like the first spell, requires a yearbook photo, the couple accidentally tear the image of Beanes at the neck while adding it to the mix.


The unexpected result is that Beanes returns to life, sound in mind and body, but with the former no longer physically attached to the later. A lengthy chase scene follows that is both frightening and funny and plays like a modern take on Ichabod Crane's final flight in The Legend of Sleepy Hollow. The humor never undermines the horror of the situation, though, but adds a layer of surrealism, especially a nightmarish moment when Beanes's severed head bites onto Peter's pants leg and refuses to let go no matter how vigorously he kicks.


The special effects in this segment, a combination of in-camera trickery, animatronic figures (courtesy of effects guru Stan Winston) and opticals, were state of the art at the time and hold up very well today.


Like BTTF, the episode was filmed on the Universal Studios back lot, and as the chase spills outdoors onto the streets, the neighborhood sure looks similar to BTTF's Hill Valley (in some shots you can even see that the streets are still dressed with 1950s era automobiles, an incongruity as Go To The Head of The Class is set in present day 1986.)


Go To the Head of The Class is available on the Amazing Stories The Complete Second Season DVD set here (it's an import release from Umbrella Entertainment, but is all-region and plays fine on U.S. equipment. All screen caps were taken from the DVD.)

While researching this article I happened upon this blog post that covers the episode thoroughly and even documents additional similarities to BTTF which I was planning to include here, so I'm just going to encourage you to read that original post instead.

Tuesday, January 10, 2017

Hypno-Horror!

What started out as a little retro-review of obscure 80s horror film "Anguish" turned into a longish piece on the history of subliminal messaging as horror film gimmick. Read all about it at We Are The Mutants...

I assure you there are no hypnotic suggestions hidden in the article, so if you should find your eyelids getting heavy while reading, there's probably some other explanation.

Saturday, October 22, 2016

Monsters: Fiendish Facts, Quivery Quizzes and Other Grisly Goings-on (A Golden Family Funtime Book, 1977)

This entry in the "Golden Family Funtime" series is called (take a breath...) "Monsters: Fiendish Facts, Quivery Quizzes and Other Grisly Goings-on", a collection of essays, puzzles, games and trivia revolving around all things monster. Written by Donald F. Glut (he also wrote, interestingly, the novelization of The Empire Strikes Back, among other comic and horror titles for kids) and illustrated by Dennis Hockerman (cover only) and Carole Jean Bourke (interiors), "Monsters" offers a fairly comprehensive overview of the monster genre with an emphasis on their presentation in books and films, padded out with a little cryptozoology for good measure.


Categories of monster reviewed here include the literary (Frankenstein's Monster, Dr. Jeckyll and Mr. Hyde)...


...traditional/folklore (Werewolves, Vampires, Mummies, Voodoo Terrors)...

Werewolf indicators. Keep the tweezers handy if you want to pass for normal.

A depiction of the burning at the stake of accused werewolf Stubbe Peter, Germany, March 31, 1590.







...and cryptozoological/extra-terrestrial "real world" monsters (Prehistoric Monsters, Monsters From Outer Space, and Abominable Beasts).


The quizzes revolve around monster movies and are actually kind of fun and require some knowledge of the genre. "Creature Color Contest" asks you to complete the movie title with the correct color name.


"Dracula's Countdown" is the same concept, but using numbers selected from a list.


Simbar the Werelion (a character from the comic book "The Occult Files of Dr. Spektor") challenges you to match the actor to the monster they portrayed.

There are a few visual puzzles as well, challenging you to find hidden animals in a drawing (The 13 Black Cats and Find the Missing Werewolves)...


...plus the party game where you stare at a picture for a period of time and then are expected to answer questions about details of the picture from memory (No Hyde-Ing Place).


Optical illusions and magic tricks are found here as well, including the severed-finger gag I remember from Spooky Tricks (presented here as Frankenstein's Finger).


There's a board game "Escape To the Castle" that takes up a two-page spread...


...and finally, Sinister Shadows demonstrates how to make Godzilla, a werewolf, vampire bat, and other monsters with your hands.


Other entries in the Golden Family Funtime Books series focused on crafts, games, magic, and riddles. Take a look at that funtime family!

Saturday, October 1, 2016

Land of the Lost Illustrated Timeline at We Are The Mutants


As a life-long Land of the Lost fan, I'd been toying with the idea of putting together a timeline chronicling the arrival and exit of all the characters, and tracing the various temporal manipulations and paradoxes created by the matrix tables and pylons. Well, I finally found an "excuse" to stop toying and start timelining when the creative mind behind one of my favorite blogs 2 Warps To Neptune invited me to contribute content to his newest venture, We Are The Mutants.

I actually rewatched the series in its entirety in order to put this timeline together, and it's BIG. Too big to print. But hopefully you'll find it fun to examine and explore through the viewscreen of whatever inter-dimensional machine you use to view The Internet. I also wrote a rather longish piece on the series itself that delves into some of the shows headier concepts and plotlines (masochists can read it here).

You'd do well to bookmark We Are The Mutants, too, especially if you are a fan of Gen-X era sci-fi, fantasy, toys and tech.

Monday, July 18, 2016

You Can Make An Insect Zoo (1974, Hortense Roberta Roberts)

If you have an irresistible urge to hoard insects in your home, and that pencil box full of dead flies just isn't cutting it any longer, then get ready to graduate to the big leagues. Because YOU can make an insect zoo!

Calling your creepy collection of bugs housed in makeshift cardboard boxes and discarded plastic ware a "zoo" will lend your insect fetish a whiff of legitimacy. And I won't even mention the potential income in tickets sold and yearly Friends-Of-The-Insect-Zoo membership dues.


I've always had a love/hate relationship with the insect world. I find bugs fascinating when safely observed on film or through the protective glass of a sealed container. Scurrying into my bed or landing in my jelly sandwich? Not so much.

You Can Make An Insect Zoo (1974, by Hortense Roberta Roberts, photos by Francis Munger) provides instructions for several types of bug enclosures for the junior entomologist to show off his menagerie of crickets, ants, moths and butterflies (sorry adventure-seekers, giant hissing cockroaches aren't welcome at this zoo!)

The Plastic Drinking Glass Case, intended for butterflies and moths, is described as the "easiest cage to make", and they aren't kidding. It's literally a plastic cup set upside down on a paper napkin. I accidentally make this cage all the time after a few cocktails.

The Cardboard Box Cage is a little more complicated with its screen windows and clear plastic roof.

The Milk Carton Cage requires pulling a nylon stocking (ask Mom's permission!) over a cut-out milk carton. With visibility on all four sides of the enclosure, it's sure to be a popular exhibit with zoo guests.

The Wire Screen Cage looks more like a proper insect cage you might buy at the store. It's a roll of screen sandwiched between the cut-out bottoms of two plastic bottles.

The book suggests using old bleach bottles. No doubt both the insects and your customers will appreciate that fresh bleach scent.

No, the Cricket Cage is not the name of a secret room behind a false wall and soundproof door in my cellar. Rather, it's an elaborate complex to house crickets that includes sleeping nooks, feeding pods, and a place to lay eggs.

It also works as Barbie's Bug Infested Studio Apartment.

The crickets from my yard don't look like the creepy ones pictured here--thank God. If I had a box full of these in my "zoo", I'd want to keep a can of Raid nearby in case I needed to, uh, close the exhibit early for a special event.

If the "zoo" concept doesn't take off, I'm thinking we rebrand as Cricket X-Treme Sports Arena.

Finally we have this Tunnel Cage, which lets you observe the tunneling action of an ant colony sandwiched between two transparent cups. I wonder what percent of ants end up accidentally glued to the cardboard base? Is there a target living-ants to glued-ants ratio with these exhibit openings?

Here's what the unglued ants look like.

You Can Make an Insect Zoo is a book I checked out once or twice from my grade school library, but I never actually built any of the cages and my "insect zoo" never happened.

Lucky bugs.